晚風
Fading Breeze
2025
Nylon threads hang above the plaza, shifting with wind, air currents, and passing bodies. Once standardized and rigid, these industrial materials soften over time—sagging, twisting, and loosening into fragile, ever-changing forms that echo the rhythms of nature.
At night, horizontal laser beams cut through the structure. Designed to measure and fix position, the beams fail to define what is constantly in motion. Stability and drift, precision and uncertainty, coexist here.
Installed in the semi-outdoor ground floor of the Taipei Performing Arts Center—designed by Rem Koolhaas & David Gianotten as a shared public plaza—Fading Breeze invites viewers to move freely through light and lines, entering a subtle, poetic encounter with space and time.
medium:
Nylon threads, linear laser light, kinetic structure module
Nylon threads, linear laser light, kinetic structure module
dimensions:
27m x 21m x 3m
27m x 21m x 3m
大量垂掛的尼龍線懸吊在廣場上方，隨風、氣流與人流擺動，不斷變形、交纏、下墜。這 些原本規格化、工整的工業線材，在空氣與時間中失去穩定，逐漸癱軟，呈現出人工物 質在時間作用下的緩慢轉變，一種近似自然的變化節奏。
入夜後，水平雷射光穿越其間，本為定位與測量的光線，卻無法準確標定這個持續變動 的結構。穩定與游移、測量與無法測量，在此同時並存。
作品設置於雷姆·庫哈斯與大衛·希艾萊特所設計、向城市敞開的一樓廣場。在這個可自由穿梭的空間中，《晚風》以細膩的晃動與光的痕跡，邀請觀者像風一 般自由穿越其間，與環境展開一場詩意且幽微的感知經驗。
入夜後，水平雷射光穿越其間，本為定位與測量的光線，卻無法準確標定這個持續變動 的結構。穩定與游移、測量與無法測量，在此同時並存。
作品設置於雷姆·庫哈斯與大衛·希艾萊特所設計、向城市敞開的一樓廣場。在這個可自由穿梭的空間中，《晚風》以細膩的晃動與光的痕跡，邀請觀者像風一 般自由穿越其間，與環境展開一場詩意且幽微的感知經驗。
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